Category Archives: Cleages

Grandmother Pearl Reed Cleage

My grandmother Pearl Cleage’s page in the little black album.

Today is my Grandmother, Pearl Doris Reed Cleage’s, birthday.  If she were alive today she would be turning 125 years old.  In her honor I have posted some photographs of her from the little black album with the little photos taken by her sons around 1938.

She was born in Lebanon, KY in 1886 and moved with her family to Indianapolis, IN when she was about six.  She met her husband, Albert Cleage, at Witherspoon Presbyterian Church where she sang in the choir.  They married in 1910 after he received his Physician’s License.  Their first child,  my father, was born in 1911.  Pearl was warned never to have more children because it would probably kill her.  They moved to Michigan soon after and by 1915 had settled in Detroit.  My grandmother eventually bore and raised seven children.  She died at age 96 in 1987.

For more posts about Pearl Cleage click the following links:  Grandmother holding my father in 1911 and My Grandmother’s Family Tree and Indianapolis Research and Two Newspaper Articles 1908 and 1950.  For more Sepia Saturday photographs CLICK.

Grandmother Pearl Reed Cleage 1940s
Pearl Reed Cleage 1940s

Positive Proof – A Short Story by Henry Cleage

Henry W. Cleage – about 1936

Proof Positive

By Henry Cleage

Before Jones placed the evidence before me, I was doing all right with my paper “The Gaylord Gazette.”  I wasn’t getting rich, mind, but I was holding my own in a comfortable fashion.  I was even approaching that beloved stage where a man can begin accumulating those little extra things, those cultural folderas of gracious living—like, for instance, a fireplace.I was going to put one in the front room of my building.  There are two rooms altogether, a large room in the back for my press and linotype and a small room in the front for my desk and Jones’ desk.  A rail runs across the front room separating our desks from the waiting room.  The waiting room is for the public, people who drop in with a news item or a horsewhip for the editor.  No one has horsewhipped me yet, so in gratitude I decided to put the fireplace along that south wall about where those two middle chairs are.  Jones likes a fireplace too.

So you see, I was easing along pretty debonair.  Gaylord was a comfortable little town. Not too big and full of news like some.  That is until Jones uncovered that evidence.

Even though I am an old newspaperman of the old school, I was mortally shocked when the thing was brought out into the open.  Of course you may say a newspaperman should be immune to shock, and that’s all right for you to say.  But I am the one who has to rebuild his whole philosophy of life at my age.

Jones is my demon reporter.  Kristin Jones is her full name but I just call her Jones on account of she is a good “newspaperman.”  She is the product of the Gaylord public schools with four years of Vassar thrown in for confusion.  She has a gigantic capacity for managing.  When she returned from school she immediately looked for something to manage and I, sitting there, very comfortable in my snug little office must have appeared the easiest thing to get a grip on.  Jones has a stranglehold on the Gazette now, but I jut can’t find it in my heart to complain.  She manages with such a flair that it is good just to sit and watch her.

Jones is twenty-two and she has deep brown eyes and wavy brown hair which bounces on her shoulders.  Sometimes, though, when she is turning out some deathless prose for a threatening deadline, she piles it up in a disheveled heap on top her lovely head and it is something, I’m telling you. And when she puts on her little derby hat and dashes out of the office with her big brown brief case, I have to chuckle.  She is a journalist, she says.  She says that is what they call it at school.  She says the day of the sloppy reporter writing his story on the back of a grimy envelope is gone.  The reporter has a responsible position and with this responsibility comes the necessity for dignity—and a briefcase.

I say “O.K.”  I am too old to argue with youth.  Why I have been out of State University nine years!  I’m going on thirty-two.  But when I was in school, I always wanted to be one of those slick newspaper guys with a cigarette and chewing gum.  But like I said, we older folk have got to step aside and let the young folk have a say.  We had our chance.  Besides I am an owner, publisher, editor and reporter so I got to be a little bit pompous and such.

But don’t mention these sentiments to Jones anymore.  I used to and she would get mad for some reason or other.  Like once she was trying to make me start a readers’ survey.

“What’s that?” I asked at a complete loss.

“A survey,” she said patiently, “to determine your readers’ preference in reading material.”

“Oh,” I said, “I know all about what they prefer.”

“Why don’t you print it then?”

She was getting a bit pointed here, I thought.

“Too much of that stuff ain’t good for them,” I said innocent as a lamb.’’ Well she certainly laid me out.  And she was right too.  What right had I to assume to know my readers’ taste and then on top of that to decide whether it is good for them yet.

“O.K., O.K., “ I interrupted when she stopped to inhale.  “You are right.  It’s just another new idea an old man like me never heard of.  Thanks for bringing it up.”I leaned back in my chair like I wasn’t long for this world.

“I appreciate your teaching me these new, youthful methods,” I added.  I sort of groaned like my hardening arteries were hurting.  For some reason this seemed to irritate Jones, but she controlled herself.
“Just what is it your readers prefer but you feel is too rich for their blood?” Jones asked, obviously changing the subject back to the point.
“Comics,” I admitted.
Jones slapped her derby back on her head and switched out.  She forgot her briefcase.  I wondered what I’d said wrong.

So you can plainly see why I steer clear of the “youth question” now.  Anyway I am busy putting out a paper, and it is getting harder all the time.  I’ve been so restless lately.  Some days I have the awfullest time concentrating on the “Notices of Auction Sales.”  I go through the “Marriage Announcements” like sixty though.

And in the evening when the breeze is soft and the quiet is dark and full of shadows, I find my usual pastimes are boring me. Last night, for instance, I walked out on the poker game at the firehouse and went for a walk.  I take a lot of walks lately.  Oh it’s rugged all right! And now on top of all, Jones has got that evidence.

She had been mentioning, for weeks, that her evidence was almost complete and she said I would be proud of her good work when she “exposed” the culprit.  I wondered who it was.  I hoped it wasn’t anyone I knew.  I found out Tuesday afternoon.

I was just getting comfortable when Jones came in.  My feet were nicely balanced in the top drawer of my desk and a soft clover hayish wind was nuzzling my neck.  Two little flies were buzzing against the screen—buzz—buzz-buz-bu—b.  I had only just closed my eyes for a mere second when she rudely flung my feet from their comfortable position and into the wastebasket.  I felt trapped!

She had on a green sweater and a skirt.  I don’t know what color her skirt was but it was a green sweater.  It had little pockets on each side and a pin was stuck on the left pocket.

“Well,” she said looking at me with those eyes, “have you got to the nerve to see my evidence.”

“Do it take nerve?” I asked in a veritable chaos of confusion.She reached deep down in her briefcase and drew out a nickel notebook.  She fixed me with a narrowed pair of eyes.

” June 19—“ she began, but something forced me to speak.“Jones, my dear,” but she raised a hand for silence.

“Because, said Jones, “the evidence concerns you and your walks and things.”

“I haven’t got the nerve,” I sobbed, “take it away.”

“On one condition,” she said.

“Anything,” I pleaded.

So now we are married and Jones manages me and the Gazette legally.  I wonder why she never asked me in for a dish of tea when I was walking by her house all those times.

Trying for shadows in this also?

Paul Payne
Trying for shadows on this also? Paul

It was in the 1930’s, as the Cleage brothers reached their twenties, that the “art photos” began.  Before that, there are some actual studio photos and lots of snapshots.  Then we begin to get photos like these, where someone was experimenting, this time with shadow.  The first photo Paul Payne.  See another photo of him, younger, with Hugh Cleage here.  Paul was a life time friend of the Cleage family.  To the left we have the verso of Paul’s photo which says “Tried for shadows in this also?”  All three of these photos have the same number.

Barbara Cleage with shadow
Anna Cleage and Paul Payne with shadows

From this period we have many posed portraits of family members.  Some are 8 x 10 and some are snap shots.  None of them are signed so I don’t know who took them except for the ones that my father took of my mother in California since he was the only one there.  The largest group of snapshots taken during this time, including last week’s Wordless Wednesday photographs of the winter scenes, were taken at the Meadows. (Go to the last paragraph on the linked page to learn more about the Meadows)  There are over one hundred of them, from all seasons and spread over several years.  My Aunt Gladys confirmed that her brother Hugh did set up a darkroom in the basement.

During the 1960’s Henry and Hugh went into the printing business.  They had several presses, a darkroom, an enlarger and more cameras.  I have boxes and boxes that used to hold 5 X 7 film that now hold photographs taken during that time.  More in the weeks to come.  To see more Sepia Saturday entries click HERE.

Not a bridge, a ferry

In my new batch of photos, I found another photograph in the #160 series that I showed in my last post, here.  I didn’t notice, until after I posted this photo a few minutes ago, that there were words on the building, “Levy Bros.”  “Falls City Ferry and Transportation Co.”  Looking at the landscape, behind the ferry and building, I saw a distant shore.  No longer looked like Athens, TN!  Which is why I deleted that post and started looking things up.

 I googled “Falls City Ferry and Transportation Co.”  and found this entry in ‘The Encyclopedia of Louisville’ page 286.  “The last ferry operation was between Louisville and Jeffersonville.  The original company, facing difficult competition from electric interurban car service over the Big Four Bridge beginning in 1905, was reorganized as the Falls City Ferry and Transportation Co. in December 1920, with David B.G. Rose as principal shareholder.  Among the minority shareholders was Harland D. Sanders, later of Kentucky Fried Chicken fame.  Though the passenger load declined through the 1920’s vehicular traffic increased as automobiles proliferated.  There was as yet no vehicular bridge between Louisville and Jeffersonville.  Fares were low.  During the 1920’s pedestrians were carried for five cents.  Once aboard they could ride all day for that modest fee.”

Louisville is not on the Detroit, MI to Athens, TN route.  It is on the route from Athens, TN to  Indianapolis, IN, where Uncle Hugh Reed still lived.  In fact, I have a photograph of my father and his brothers taken with Uncle Hugh’s sons, perhaps on the same trip.  In this photo we have front row, Henry and Hugh Cleage.  In the back row, Albert  Cleage (my father), Hugh Reed Jr,  Thomas Reed and Louis Cleage. About 1921 in Indianapolis, IN. My father is wearing the same outfit.

Photos, Photos Everywhere

This week I spent hours putting my photographs from the paternal side in order.  First by grouping them into piles according to the numbers on the reverse side.  After dividing them up by number, I then started dating the files.  I was able to determine who some of the babies were in later photos by which siblings were already there and how old they were.  I will show some of these in a later post.  It’s been slow going and I almost missed Sepia Saturday.  However I thought I should make an entry.  Above you see some of the piles.

These two photographs have the same number.  I have wondered for years if that boy with the stocking cap on standing next to the car was my father.  When I saw the photo of my Uncle Louis (on the left) and my father, Albert, with the stocking cap, I saw it was him.  There are other photos that have both boys that have different numbers but they appear to be taken at the same time on one of the family’s annual trips to Athens Tennessee, my grandfather’s hometown.  One brother, Edward, remained in Athens.  The rest of the family ended up first in Indianapolis, IN and then in Detroit, MI.

Here are some other posts about the Athens branch of the Cleages.
Uncle Ed’s daughters – 1917.  Memories to Memoirs, and Juanita and Daughters.

To Read more Sepia Saturday post and to participate click HERE.

The 4th Annual i Gene Awards at Finding Eliza (and My Cleages)

This time last year I didn’t know the i Gene Awards existed.  This year I am here to present the Awards for the best posts on my blogs in five categories.  First I would like to thank my ancestors for saving so many photographs, stories, letters, journals and scraps of paper and seeing that they got to me.  It has made my job so much easier. And now on to the awards.


The Best Picture Award goes to  My Mother – 1952  a Sepia Saturday offering that caused much speculation about why she seemed to be avoiding the camera.  Was she shy?  Was she coy?  Did she lose her earring?  Was there a cat under the chair?  We will never know but I would like to thank my mother, Doris Graham Cleage, for being so photographically mysterious.

The Best Screen Play Award goes to Eliza and the People in Her Life – a Chart  This would be a multi-generational saga that begins in slavery and ends in freedom.  We have slavery, lust, an escape to freedom while being chased by hounds, true love, vengeance, the surrender of Montgomery, reconstruction, family bonds, death in childbirth, hard work and much, much more. The chart is the cast of this drama.   I would like to thank my sister Pearl Cleage for being my casting director. Her picks are below:

  1. Young Eliza — Jurnee Smollett/played the debating girl in “The Great Debators” and was the young girl featured in “Selma, Lord, Selma!” and “Eve’s Bayou.” good actress.
  2. Old Eliza — Barbara O/Yella Mary from “Daughters of the Dust.” amazing actress and looks like she could be what Jurnee would look like old. (let’s say old Eliza is the one who starts telling the story in flashbacks so she’d start and then Jurnee would fade in as Eliza in her twenties when she meets Dock.
  3. Dock — Jeffrey Wright/played Muddy Waters in “Cadillac Records.” he’s a little old, but he looks like he could be Dock and he’s an amazing actor.
  4. Annie Williams — Viola Davis/in her 40’s, so she could be in a flashback/she was nominated for an academy award for her role as the mother in “Doubt.” last year, she won a Tony for playing Rose in “Fences” on b’way.
  5. Milton Saffold — here come the movie stars… maybe Jake Gyllenhaal he was in “Brokeback Mountain” and lots of movies. he’s a good actor. the right age, in his 30’s.
  6. Georgia Whitting —  Reese Witherspoon, usually comedic, but was really good playing June Carter Cash in the movie about Johnny Cash.  She’s from Tennessee so she could call on her roots.
  7. Edmund and Jane Harrison — oh, let’s throw in a couple of really BIG time movie stars for fun. how about angelina jolie and brad pitt?
  8. Martha Harrison —  how about Dakota Fanning? she’s young, blond, not a bad actress.
  9. Clara Bolden – Tariji P. Henson. got nominated for an Ocsar for a weird movie two years ago. was also a star of the awful movie, “Hustle and Flow”, but that wasn’t her fault. she’s pretty good and can play sad and angry, two emotions required of colored mistresses.

The Award for Best Documentary goes to In Which I Hit the Google Photo Jackpot, another Sepia Saturday offering.  In this one I wrote about the information I found trying to explain why the Tulanes might have been sitting so far apart on the porch, get side tracked into researching Victor Tulane’s family and then talk about all the photographs I found for this family, using google, while just trying to illustrate the original information.

The Award for Best Biography goes to the two part series about my Grandmother Fannie Mae Turner Graham 1888 – 1974 – part 1 and Fannie Mae Turner Graham 1888 – 1974 – Conclusion I would like to thank my mother, Doris Graham Cleage, for writing this series in 1976.

Last but not least, The Award for Best Comedy goes to a post for which I have to give credit to my Uncle Henry Cleage (Does it seem to you, right about now, that I wrote only half of these posts, at most??) for the short story Just Tell The Men – A short story by Henry W. Cleage.

A big thank you to Carnival of Genealogy hostess, Jasia, at Creative Gene for creating these Carnivals!
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The Whole Bunch – 1922

Today I spread all my Cleage photos out on the table and began putting them into order by number or date.  While I was doing this, I found another photograph in the sequence that I posted about twice this week.  Click here to see the photo of my grandparents, where I speculate that it was taken soon after their marriage.  Several people wondered what he was holding over his shoulder.  Click here to read about my discovery of the numbers on the back of most of the photographs.

I can see the people more clearly in this group photograph but, it is in bad shape.  Starting from the left, are two headless women and I don’t know who they are. The little girl is my Aunt Barbara, next to her is my Uncle Hugh, Uncle Louis, Uncle Henry, Theodore Page (who looks like he has a double), a mystery girl, and the FLAG that my grandfather held over his shoulder.  Behind them are, an unknown man, my great grandmother Celia Rice Cleage Sherman, her son Jacob, my father Albert “Toddy”,  three people I don’t know then my grandfather Albert B. Cleage Sr.  In the background are some other people.  I don’t know who they are or where they are.

Click here to read other Sepia Saturday stories and to join in with a Sepia Saturday post of your own.

More Information About Yesterday’s Photo and a Discovery

Last night I posted an undated photograph of my grandparents.  I assumed it was taken soon after they were married in 1910.  Then one of my daughter’s asked me when it was taken and where it was taken.  I went back to my box of Cleage photos to see if I could find some others taken on the same day.  After going through quite a few pictures, I noticed that there were numbers on the back of the photographs.

Here is the back of the photo in question.  That is my handwriting.  I started looking for other photos with the number 573.  Voila!  I found two.  One says ‘Toddy and Theodore Page”, not in my handwriting.  Toddy is my father and Theodore Page was the nephew of  Gertrude, my great uncle Jacob’s wife.  He was living with them in Detroit, according to the 1930 census.

Taking a side trip, I began to look for information about  Theodore (Roosevelt) Page.  I found him at age 6 living with his parents, Jacob and Anna Eliza Page, and siblings William and Ophelia living on a farm in Mississippi in 1910.  By 1920 he was 16 years old.  He and his mother were living with sister his Ophelia and her husband, Henry Red, in Arkansas.  He worked on the family farm and had attended school in the last year. I’ve been trying to find Uncle Jacob’s wife’s maiden name for years.  Maybe finding her sister will help.

The other photo with the number 573 on it is a very blurry group photo.  I see my grandmother Pearl on the far left with little Barbara in front of her.  Hugh is next to Barbara,  My father is in the front row center, next to him is my great grandmother, Celia Rice Cleage Sherman, a little kid, probably my uncle Henry is next.  Behind Henry we see Theodore Page.  My grandfather is on the end.  Is he still holding the mystery object from the other photo?   

Now I’ll make another attempt to date the photo.  My father was born in 1911.  He could be 10 or 11.  Barbara was born in 1920.  She could be 2. Gladys was born the end of September in 1922.  Does my grandmother look pregnant?   My estimate is summer of 1922.

With this new information I will begin sorting, and scanning the box of photos in the near future.