Growing Up – In her Own Words by Doris Graham Cleage

For Sepia Saturday #200, I am re-sharing a piece written by my mother, Doris Graham Cleage, which I first shared in February 2011. I am going to let her tell you about  her home life and early years in this piece compiled from some of her writings when she was in her 50s.  This is my entry for Jasia’s 103rd Carnival of Genealogy, Women’s History and for Sepia Saturday #63.

My mother in the cherry tree in the yard.
My mother in the cherry tree in the yard.

In Her Own Words

My parents married in Montgomery, went to Detroit and roomed with good friends from home, Aunt Jean and Uncle Mose Walker (not really related)  A favorite way to pay for your house was to take in roomers from home and it was a good way for them to accumulate a down payment on their own house.

Mary Vee was born in this house.  It was a very difficult delivery, labor was several days long.  The doctor, whose name was Ames, was a big time black society doctor, who poured too much ether on the gauze over Mother’s face when the time for delivery came.  Mother’s face was so badly burned that everyone, including the doctor, thought she would be terribly scared over at least half of it. But she worked with it and prayed over it and all traces of it went away.  Mary Vee’s foot was turned inward.  I don’t know if this was the fault of the doctor or not, but she wore a brace for years.

Finally that year ended and they bought a flat together with Uncle Cliff and Aunt Gwen (not really related).  Mother got pregnant again very soon.  Mershell Jr. was born the next year, 1921.  I can imagine how she must have felt.  She had never kept house, never cooked and never really had someone who told her what to do since she had worked at eighteen.  She had never taken care of little children or babies.

Meanwhile I guess Daddy was enjoying being the man of the house, treasurer and trustee at Plymouth, with a good job, a good wife and money accumulating in the bank for a home of his own someday.

Their house. Survey photo.

Mershell Jr. was born in1921 at Dunbar Hospital, with a different doctor.  When he was a year old, I was on the way.  The flat was too small.  Grandmother Jennie T. was consulted, sold the house in Montgomery and moved to Detroit with daughters Daisy and Alice.  She and Daddy and Mother bought the Theodore house together in 1923.  I was born in Women’s hospital and came home to that house where I lived for twenty years, until I married.  Mother and Daddy lived in it for 45 years.

Grandmother, Daisy and Alice got good jobs,  sewing fur coats, clean work and good pay, at Annis Furs (remember it back of Hudson’s?)  and soon had money to buy their own house, much farther east, on a “nice” street in a “better ” neighborhood (no factories) on Harding Ave. While they lived with us I remember violent arguments between Alice and I don’t know who – either Grandmother or Daisy or Mother.  Certainly not Daddy because when he spoke it was like who (?) in the Bible who said, “When I say go, they goeth. When I say come, they cometh.”  Most of the time I remember him in the basement, the backyard or presiding at table. Daisy and Grandmother were what we’d call, talkers.

1923, backyard, Detroit – Mary V., Mershell holding my mother Doris.

About four blocks around the corner and down the street from Theodore was a vacant lot where, for some years ,they had a small carnival every year.  I don’t remember the carnival at all.  I never liked rides anyway.  Not even the merry-go-round.  But I remember it being evening, dark outside and we were on the way home.  I don’t remember who was there except Daddy and I.  He was carrying me because I was sleepy so I must have been very small.  I remember my head on his shoulder and how it felt.  The best pillow in the world.  I remember how high up from the sidewalk I seemed to be.  I could hardly see the familiar cracks and printings even when the lights from passing cars lighted things, which was fairly often because we were on Warren Ave.  I remember feeling that that’s the way things were supposed to be.  I hadn’t a worry in the world.  I was tired, so I was carried.  I was sleepy, so I slept. I must have felt like that most of my childhood because it’s still a surprise to me that life is hard.  Seems that should be a temporary condition.

Mershell holding Doris. Fannie. Mershell Jr and Mary V in front of Plymouth Congregational Church. Detroit.

Boy children are very important to some people and my parents were both pleased to have a son.  When Mershell Jr. was killed, run over by a truck on his way to school in 1927, it was a great unhappiness for them.  I remember standing beside Mother at the front door. A big policeman stood on the front porch and told her about her child.  She did not scream, cry or faint.  Daddy was at work.  She could not reach him.  She put on her hat and coat and went to the hospital.  I never saw her helpless.  She always did what had to be done.

Mershell Jr, Mary V., my mother Doris in front. On front porch steps. Detroit, Theodore Street.

Howard was born the next year.  They both rejoiced for here God had sent a son to replace the one they had lost.  He died of scarlet fever at three.  When you read carefully the things she wrote, you’ll know what this meant to her.  But she never took refuge in guilt feelings or hysterics or depressions.  She lived everyday as best she could and I never heard her complain.

Ours was a quiet, orderly house.  Everything happened on schedule. Everything was planned. There were very few big ups and downs.  When Daddy lost his job during the depression and when my brothers died, it was Mother who stayed steady and encouraging and took each day as it came.  Daddy would be very depressed and Mother must have been too, but she never let on.  I do remember one day when I was about seven and Howard had just died.  I came into the kitchen to get a drink of water. She was at the sink peeling potatoes for dinner and tears were running down her cheeks.  I don’t remember what I said or did but she said, “I will be alright, but you go and keep your father company.”  I did, and I’m sure her saying that and my constant companionship with my father influenced my life profoundly.  She was thinking of him in the midst of what was, I think the most unhappy time in her life.  How could God send them a second son and then take him, too?

I remember…when I was very young seven or eight – if I got very angry I would go upstairs by myself-take an old school notebook and write, “I will not be angry” over and over until I wasn’t angry anymore.  Anger was rarely expressed in our house.  I only remember my father and mother arguing twice as long as I lived at home – and I was twenty before I left. But my sister and I fought often.  Antagonism was the strongest feeling we had for each other.

Back: Aunt Daisy, Grandmother Turner, my grandmother Fannie.           Front: Mary V. Mershell Jr and my mother Doris. 1927, backyard Theodore, Detroit.

 Aunt Daisy took us downtown to the show every summer and to Saunders for ice cream afterward.  And I always ended up with a splitting headache.  Too much high living I guess.  She and Alice would buy us dainty, expensive little dresses from Siegel’s or Himelhoch’s.  They all went to church every Sunday at  Plymouth (Congregational). Daisy always gave us beautiful tins of gorgeous Christmas candy, that white kind filled with gooey black walnut stuff, those gooey raspberry kind and those hard, pink kind with a nut inside, also chocolates, of course!

From top: my grandmother Fannie, my mother Doris picking something off of baby Howard who is held by my grandfather Mershell. Backyard of Theodore house, Detroit.

I lived at home until I finished college and married.  Everyday when I got home from school the minute I opened the door I knew what we were having for dinner.  The house would be full of the good smell of spaghetti or meat loaf or greens or salmon croquettes or pork chops and gravy or steak and onions.  We had hot biscuits or muffins every day.  My father did not like “store bought” bread.  I hardly knew what it tasted like until I married.  Our friends were welcome.  The house was clean. Our clothes were clean and mended.

Mary V, Howard, my mother Doris. 1930. Detroit, MI.

Mother often spoke of friends in Montgomery but I never knew her to have a close friend.  She was friendly with everyone, especially the Deaconesses with whom she worked at church. She was basically very reserved and what people call today a “very private person”.  I don’t remember ever hearing her say “I want” for herself.  Oh, she often said, “I want the best for my girls” or “I want you to be good girls” but I never heard her say “I want a new dress… or a day off… or a chocolate bar…”  and I never heard her say “I feel this way or that” except sometimes she said, “Oh, I feel so unnecessary.”  She was a great one for duty, for doing what was called for and not complaining.  You could tell when she was displeased by the expression on her face. Whenever she corrected us, she always explained why, so we came pretty early to know what was expected of us and when we erred the displeased expression was all we needed.  She didn’t nag either.  No second and third warning.  Yet I don’t remember ever being spanked by either parent.  If either one said, “Did you hear what I said?”, that did it.

We never talked back to them.  We did things we knew we weren’t supposed to do like all children, but we were careful not to get caught.  When we did get caught, we were horrified.  I never felt confined and resentful, but Mary Vee did.

Mother had some of the same reserve with us that she had with strangers.  We rarely talked about feelings, good or bad.  She and Daddy tried to keep things as even and calm as possible all the time.  So everybody cried alone although you always knew they would do anything for you because they did.  You didn’t bring your problems home and share them.  You came home and found the strength to deal with those problems.  At least I did.  If you needed help, you asked for it, but first you did everything you could.  I don’t think they ever said no to either of us when we asked for help and that extended to grandchildren too.

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Trying for shadows in this also?

Paul Payne
Trying for shadows on this also? Paul

It was in the 1930’s, as the Cleage brothers reached their twenties, that the “art photos” began.  Before that, there are some actual studio photos and lots of snapshots.  Then we begin to get photos like these, where someone was experimenting, this time with shadow.  The first photo Paul Payne.  See another photo of him, younger, with Hugh Cleage here.  Paul was a life time friend of the Cleage family.  To the left we have the verso of Paul’s photo which says “Tried for shadows in this also?”  All three of these photos have the same number.

Barbara Cleage with shadow
Anna Cleage and Paul Payne with shadows

From this period we have many posed portraits of family members.  Some are 8 x 10 and some are snap shots.  None of them are signed so I don’t know who took them except for the ones that my father took of my mother in California since he was the only one there.  The largest group of snapshots taken during this time, including last week’s Wordless Wednesday photographs of the winter scenes, were taken at the Meadows. (Go to the last paragraph on the linked page to learn more about the Meadows)  There are over one hundred of them, from all seasons and spread over several years.  My Aunt Gladys confirmed that her brother Hugh did set up a darkroom in the basement.

During the 1960’s Henry and Hugh went into the printing business.  They had several presses, a darkroom, an enlarger and more cameras.  I have boxes and boxes that used to hold 5 X 7 film that now hold photographs taken during that time.  More in the weeks to come.  To see more Sepia Saturday entries click HERE.

Not a bridge, a ferry

In my new batch of photos, I found another photograph in the #160 series that I showed in my last post, here.  I didn’t notice, until after I posted this photo a few minutes ago, that there were words on the building, “Levy Bros.”  “Falls City Ferry and Transportation Co.”  Looking at the landscape, behind the ferry and building, I saw a distant shore.  No longer looked like Athens, TN!  Which is why I deleted that post and started looking things up.

 I googled “Falls City Ferry and Transportation Co.”  and found this entry in ‘The Encyclopedia of Louisville’ page 286.  “The last ferry operation was between Louisville and Jeffersonville.  The original company, facing difficult competition from electric interurban car service over the Big Four Bridge beginning in 1905, was reorganized as the Falls City Ferry and Transportation Co. in December 1920, with David B.G. Rose as principal shareholder.  Among the minority shareholders was Harland D. Sanders, later of Kentucky Fried Chicken fame.  Though the passenger load declined through the 1920’s vehicular traffic increased as automobiles proliferated.  There was as yet no vehicular bridge between Louisville and Jeffersonville.  Fares were low.  During the 1920’s pedestrians were carried for five cents.  Once aboard they could ride all day for that modest fee.”

Louisville is not on the Detroit, MI to Athens, TN route.  It is on the route from Athens, TN to  Indianapolis, IN, where Uncle Hugh Reed still lived.  In fact, I have a photograph of my father and his brothers taken with Uncle Hugh’s sons, perhaps on the same trip.  In this photo we have front row, Henry and Hugh Cleage.  In the back row, Albert  Cleage (my father), Hugh Reed Jr,  Thomas Reed and Louis Cleage. About 1921 in Indianapolis, IN. My father is wearing the same outfit.

Poem for Poppy

Today I am transcribing my Grandfather, Mershell C. Graham’s funeral program.  I’ve been looking for my grandfather’s funeral program for several months.  It wasn’t in the binder, where it should have been, or in the box with the not yet filed funeral programs.  Today, while looking for something else, I found it.  It was in my file cabinet in a folder having nothing to do with anything relevant.  The poem was written by my sister, Pearl Cleage.

Mershell Cunningham Graham standing beside his corn patch.

Poem For My Grandfather

(for M.C. Graham)

The handing down of things
worn smooth between your fingers.
The handing down of parts of you
in hurried kitchen ceremonies.
The smell of biscuits
and the smell of heirlooms.
A story about trains.
A whisper of hard times
and magic in the face you hold so close to mine
and smile.
The handing down of things.
The handing on of you…

By Pearl Cleage

In Memorium

Mershell C. Graham
Thursday, September 6, 1973, 12 Noon
Plymouth United Church of Christ
514 Garfield
Detroit, Michigan
Rev. Nicholas Hood, Pastor

Order of Service
Processional……
Hymn          ……
Invocation   …….
Scripture      …….
Hymn          …….
Eulogy         …….
Benediction  …….

Interment
Detroit Memorial Park

In Charge
Charles T. Cole Funeral Home

Honory Pallbearers 
Friends of Mr. Graham

Active Pallbearers
Members of the Men’s Club

Mershell C. Graham was born December 25, 1887, in Coosada Station, Alabama.  He received his early Christian training in the First Congregational Church of Montgomery, Alabama.  He met his beloved wife, Fannie Mae, in the church.  They celebrated their 54th wedding anniversary in June of this year.  They had four children and shared a long and beautiful life.  

He was one of the founders of Plymouth United Church of Christ and was a devoted member of the church all of his life.  He served as treasurer for many years and was Trustee Emeritus.  He was retired from the Ford Motor Company after over thirty years of service and was a member of the U.A.W. and the N.A.A.C.P.

Mr. Graham passed on September 3, 1973, at his home at 16260 Fairfield.  He leaves to mourn his loss his wife, Fannie, his two daughters, Mary Virginia Graham Elkins and Doris Graham Cleage; five grandchildren Doris Diane Elkins; Kristin Cleage Williams; Barbara Elkins; Pearl Cleage Lomax and Marilyn elkins; and six great-grandchildren; Maricea McNeil; Harry McNeil; Frank Elkins; Lonnie Elkins; Jilo Williams and Ife Williams.

He was preceded in death by his two sons, Mershell C. Graham Jr and Howard A. Graham.

Photos, Photos Everywhere

This week I spent hours putting my photographs from the paternal side in order.  First by grouping them into piles according to the numbers on the reverse side.  After dividing them up by number, I then started dating the files.  I was able to determine who some of the babies were in later photos by which siblings were already there and how old they were.  I will show some of these in a later post.  It’s been slow going and I almost missed Sepia Saturday.  However I thought I should make an entry.  Above you see some of the piles.

These two photographs have the same number.  I have wondered for years if that boy with the stocking cap on standing next to the car was my father.  When I saw the photo of my Uncle Louis (on the left) and my father, Albert, with the stocking cap, I saw it was him.  There are other photos that have both boys that have different numbers but they appear to be taken at the same time on one of the family’s annual trips to Athens Tennessee, my grandfather’s hometown.  One brother, Edward, remained in Athens.  The rest of the family ended up first in Indianapolis, IN and then in Detroit, MI.

Here are some other posts about the Athens branch of the Cleages.
Uncle Ed’s daughters – 1917.  Memories to Memoirs, and Juanita and Daughters.

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The 4th Annual i Gene Awards at Finding Eliza (and My Cleages)

This time last year I didn’t know the i Gene Awards existed.  This year I am here to present the Awards for the best posts on my blogs in five categories.  First I would like to thank my ancestors for saving so many photographs, stories, letters, journals and scraps of paper and seeing that they got to me.  It has made my job so much easier. And now on to the awards.


The Best Picture Award goes to  My Mother – 1952  a Sepia Saturday offering that caused much speculation about why she seemed to be avoiding the camera.  Was she shy?  Was she coy?  Did she lose her earring?  Was there a cat under the chair?  We will never know but I would like to thank my mother, Doris Graham Cleage, for being so photographically mysterious.

The Best Screen Play Award goes to Eliza and the People in Her Life – a Chart  This would be a multi-generational saga that begins in slavery and ends in freedom.  We have slavery, lust, an escape to freedom while being chased by hounds, true love, vengeance, the surrender of Montgomery, reconstruction, family bonds, death in childbirth, hard work and much, much more. The chart is the cast of this drama.   I would like to thank my sister Pearl Cleage for being my casting director. Her picks are below:

  1. Young Eliza — Jurnee Smollett/played the debating girl in “The Great Debators” and was the young girl featured in “Selma, Lord, Selma!” and “Eve’s Bayou.” good actress.
  2. Old Eliza — Barbara O/Yella Mary from “Daughters of the Dust.” amazing actress and looks like she could be what Jurnee would look like old. (let’s say old Eliza is the one who starts telling the story in flashbacks so she’d start and then Jurnee would fade in as Eliza in her twenties when she meets Dock.
  3. Dock — Jeffrey Wright/played Muddy Waters in “Cadillac Records.” he’s a little old, but he looks like he could be Dock and he’s an amazing actor.
  4. Annie Williams — Viola Davis/in her 40’s, so she could be in a flashback/she was nominated for an academy award for her role as the mother in “Doubt.” last year, she won a Tony for playing Rose in “Fences” on b’way.
  5. Milton Saffold — here come the movie stars… maybe Jake Gyllenhaal he was in “Brokeback Mountain” and lots of movies. he’s a good actor. the right age, in his 30’s.
  6. Georgia Whitting —  Reese Witherspoon, usually comedic, but was really good playing June Carter Cash in the movie about Johnny Cash.  She’s from Tennessee so she could call on her roots.
  7. Edmund and Jane Harrison — oh, let’s throw in a couple of really BIG time movie stars for fun. how about angelina jolie and brad pitt?
  8. Martha Harrison —  how about Dakota Fanning? she’s young, blond, not a bad actress.
  9. Clara Bolden – Tariji P. Henson. got nominated for an Ocsar for a weird movie two years ago. was also a star of the awful movie, “Hustle and Flow”, but that wasn’t her fault. she’s pretty good and can play sad and angry, two emotions required of colored mistresses.

The Award for Best Documentary goes to In Which I Hit the Google Photo Jackpot, another Sepia Saturday offering.  In this one I wrote about the information I found trying to explain why the Tulanes might have been sitting so far apart on the porch, get side tracked into researching Victor Tulane’s family and then talk about all the photographs I found for this family, using google, while just trying to illustrate the original information.

The Award for Best Biography goes to the two part series about my Grandmother Fannie Mae Turner Graham 1888 – 1974 – part 1 and Fannie Mae Turner Graham 1888 – 1974 – Conclusion I would like to thank my mother, Doris Graham Cleage, for writing this series in 1976.

Last but not least, The Award for Best Comedy goes to a post for which I have to give credit to my Uncle Henry Cleage (Does it seem to you, right about now, that I wrote only half of these posts, at most??) for the short story Just Tell The Men – A short story by Henry W. Cleage.

A big thank you to Carnival of Genealogy hostess, Jasia, at Creative Gene for creating these Carnivals!
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