Black star line of Ghana in Rotterdam 22nd March 1980. Afram River <- click to see original photo.
The articles below originally appeared in the official organ of the Group on Advanced Leadership (GOAL), Now! News of Detroit and the World. It was published by Imari Obadeli, known as Richard Henry, at the time. It was printed at Cleage Printers, my uncle Hugh’s and Henry’s printing shop. The first article was written by my aunt Barbara Cleage Martin, who was Barbara Smith in 1964.
The only think I really remember about the Freedom School, which I attended between high school graduation and entering college, is the visit to the ship, the Afram River and the gift certificate to Vaughn’s Bookstore that my sister and I received for being #1 students. I don’t know what we did that made us outstanding.
Unfortunately, I don’t have the rest of the article, but I know that Marcus Garvey organized the first Black Star Line. You can read more about it here – The Black Star Line.
Freedom School posed photograph 1964.
I don’t have a photograph of myself with the Afram River. What were they thinking? We should have all been lined up next to the ship and photographed. It would have been a great photograph. This is the only photograph I have of myself that summer. I am seated on the left, front. Next to me is my cousin Dale Evans. The other seated person on the right is the twin of the young man standing next to my father on the right. Their sister is behind the seated twin. I can’t remember their names or the name of the other youth on that side. On the other side of my father (reading the book and then known as Rev. Albert B. Cleage, JR) is my cousin, Ernie. Next to him is my sister Pearl. I can’t remember the name of the person behind me on the end but I know she became an actor for at least awhile.
Today would be my grandmother Pearl Reed Cleage’s 127th birthday. She was born in 1886 in Lebanon, KY and died in 1982 at the age of 96 in Idlewild, Michigan. Here is a photograph taken in 1929, on the side of the house on Scotten Ave. in Detroit. My grandmother was 43. Anna was 5 and Gladys was 7.
Back in November of 2011 I wrote Moving – Springfield to Detroit 1951 for Sepia Saturday 102. I mentioned that I remembered the little girls in the photograph, but I couldn’t remember their names. Well, I found them!
Moving day (note the boxed up stuff behind me) L to R: Kristin (me), Lynn, Sherrie, Pearl and in the back is Mrs. Johnson. I still have the rocking chair back there.
Left to right – Kristin (me), Lynn, Sherrie and Pearl
During February, I was working on a post about turtles I have owned, when I came across the photograph below.
Mr. and Mrs. Funn with me (Kristin) in front and my mother in the middle holding sister Pearl.
I recognized them as the Funns and realized that the other man’s name that I remembered from Springfield, “Lindsey”,must be the name of the father of the girls in the photographs. How could I find the last name? I decided to Google “Lindsey St. John’s Congregational Church, Springfield, MA”. The first item that came up gave me his last name, Johnson. I Googled “Lindsey Johnson, Springfield, MA” and came up with several articles. This was them! Sherrie was the oldest daughter, the one who poured milk in my dinner on that day so long ago. Below are some of the articles I found and some photographs of the Johnsons and also an article about Mr. Funn. Goggle and newspapers – it’s hard to beat them sometimes.
Articles about Lindsey Johnson and family. The house they talk about is the one I visited with my father in the winter 1968. Click to enlarge and read.
To see more posts about boxes and other things, click!
This is the 28th and final post in the February Photo Collage Festival and the Family History Writing Challenge. Today I will write about this photograph which appeared in the Ebony Pictorial History of Black America, Vol. III. It was taken at the Association of Black Students Symposium at Wayne State University in Detroit, February of 1968.
“Wayne State University in Detroit was the site of one of many student conferences on racism in the educational field.” Photo from Ebony Pictorial History of Black America Vol. III Pg 142.
I remember when this photograph was taken. The photographer asked some of us to gather around Lonnie Peek and look interested. Lonnie is in the middle, wearing a striped dashiki. Back in February of 1968, nobody was selling authentic African print fabric in Detroit. We went and bought regular fabric, made our lapa wraps and head wraps with that. I made mine out of a green paisley print and the top was a thin green fabric that I folded over and sewed into a blouse without a pattern. Later, I tuned the skirt into a dress. By the next year, I was sewing garments out of African fabric at the sewing factory.
I didn’t really work with the Association of Black Students. I remember helping on some of the layouts for posters or brochures. I was using insta-type – letters on sheets that you rubbed onto the paper. It has been years and years since I have seen anyone here. Some are dead.
On the far left, in the background is Beverly Williamson. He did security duties for my father for several years. The man leaning in with glasses was Rufus Griffin who became a judge in Detroit. Brenda, with the stripped, draped skirt, later married Rufus. Next to her is Bell. He was a tailor and was framed by a drug dealer and spent time in prison. Then we have Lonnie Peek who is now a Baptist Minister. Cynthia Washington is wearing a striped lapa and polka dot blouse. She graduated from Wayne and returned to Mississippi. Behind her, you can just see the top of Homer Fox’s head. He became a lawyer and is now dead. Next to Cynthia is Nana Kwadwo Oluwale Akpan, then known as Gerald Simmons. He was a photographer, among other things. He died in Ghana several years ago. On the end is Kathy Gamble. She moved to New York and died there a few years ago. I am next to Kathy and right behind her, you can see part of my father’s head. He must have given a speech.
I don’t know who the man watching us from the balcony was.
1968 – At home after the Symposium
Wearing my dress made from my lapa, holding 2 month old Jilo – 1970.
The photograph for today was taken during the Black Arts Convention in Detroit. It was 1966. I was 19 and Jim was 21. This was LaSalle Park, which was located a few blocks from my father’s church on Linwood. I don’t remember why this session was held at the park, but I do remember walking back to church where other closing activities were held.
Black Arts Convention 1966 at LaSalle Park, Detroit. That is Jim and me over in the lower left corner.
Me looking adoringly at Jim. Click to enlarge.
During that week, from Thursday through Sunday, The Black Arts Convention was held at Central United Church of Christ. There were workshops on the visual arts, theater, literature, religion and politics. There were arguments and sincere discussions. People from all over the country attended. I was going to write it all up, but I cut my finger last night while cooking dinner and typing is s-l-o-w today.
I am linking to this article, A Report On the Black Arts Convention, by Dudley Randall from The Negro Digest, Aug. 1966, on Google Books. It is a very good description of the convention.
A letter of thanks from “Forum ’66”, the group that organized the Black Arts Convention.
Camp Talahi was associated with the Congregational Church (later the United Church of Christ). It was located on 180 acres beside Lake Chenago, about an hour from Detroit.
My father was a minister in the United Church of Christ at the time and sometimes he was there as a counselor at the same time that my sister and I were there. In the camp photo above, my father, my sister and I were all there the same week. I recognize some of the girls in the crowd as those who skipped activties and stayed in the cabin playing cards one year. I was a part of that group. At the top of the photo you can see one of the crafts we did. It’s a circle of leather with a piece of lanyard attached. I guess I wore it. The crafts were not Camp Talahi’s strong point. Lots of braided Lanyard.
The lodge.
The craft workshop was on the lower level through those double doors. Upstairs was the screened porch where we took all meals. There was a large interior room with a stone fire place. The daily Bible study workshops were held here too. There was a show later in the week with all cabins contributing a skit or some talent.
Pearl standing outside of her cabin on the last day. 1958.
Camp sessions lasted a week. We arrived on Sunday afternoon and left on the following Saturday afternoon. There were 6 cabins for girls and others for the boys. Each cabin was divided in half. You entered through a door like the one Pearl is holding open, and you were either on side A or B. There were 4 0r 5 bunks on each side, plus a cot for the counselor. I always tried to get an upper bunk by the window. The windows were screened with shutters you controlled from inside with a rope. There was no glass. The toilets and sinks were in the cement block building to the left in the above photo. I don’t remember any showers.
This is a postcard my father sent me in 1962. He had a strange sense of humor. The classes were just as bad as I thought they would be. They were usually about the Apostle Paul. Every evening there was a vespers service on a hill. We sang some camp songs. Somebody did a Bible reading. We had a quiet meditation.
We never went camping or slept outside, although the boys did. We had one cookout when our cabin went to the prepared campsite and cooked a hamburger, potatoes and carrots in foil on a fire. We went on one walk in a piney woods once and I remember the wonderful smell.
Me taking my suit off of the line.
We went swimming once or twice a day. We had buddies and when the lifeguard blew the whistle, we had to hold hand up, together. We hung our towels and suits on a clothesline outside of the cabin. They hardly dried from use to use.
On the way to the car, Pearl in back and my father in front.
There were two black churches in the United Church of Christ in Michigan. Both were in Detroit. Ours was one and Plymouth was the other. Usually there were a few kids from our church. I don’t remember any from Plymouth. Sometimes there would be a lone black kid from a small town who attended a mostly white church.
The directorship of the camp rotated between the ministers in the denomination who were actively involved. Except for my father. He was never asked and was not included because he was black. As far as I know, there was no unpleasantness between my father and other staff or campers. He was quite popular with the campers. I never experienced any racism. Mainly, girls would ask “Why is your hair like that?” To which I answered, “Because that’s the way it grows”. As years passed, I asked why their hair was so straight. That just confused them.
Front: Marilyn with Barbara & Pearl behind her. Back: my mother Doris, my aunt MV, cousin Dee Dee and me. 1956.
At the end of each summer my sister, cousins, mother, aunt and grandfather, Poppy, took a trip to the Detroit Zoo.
Kris, Poppy, Dee Dee – 1959.
Sometimes the four older cousins spent the night before at our grandparents. We slept on a foldout cot in Poppy’s room. We went to bed first and I was always asleep by the time Poppy came to bed. That worked fine, unless I woke up in the middle of the night. He had the loudest snore and it was impossible to get back to sleep until he turned over and stopped snoring.
My grandmother, Nanny, never went with us. As I write this, I realize there are so many things I don’t remember. I suppose our mothers drove across town with Marilyn, to meet us in the morning. Did we take two cars – my grandfather’s and my mother’s? I don’t think so. I think we all smashed into one car, three adults in the front and 5 children in the back, with Marilyn sitting on someone’s lap. Nanny probably made us a picnic lunch to take. I can’t imagine buying hot dogs and french fries with Poppy along.
Marilyn, still in the front. Me, Barbara, Pearl taking a picture of the photographer, Dee Dee. In the back are Connie Stowers (my mother’s friend) and my mother. 1959.
Looking at the photographs I can see that Dee Dee was way ahead of the rest of us in cool. Even in 1956, when she and I both wore our plaid slacks, hers fit and look good. Mine are baggy. Luckily, it doesn’t seem to bother me. That year Marilyn is so little and unaffected.
Poppy with camera – 1959. He was 70 years old.Mary V and Marilyn – 1956.
By 1959 Dee Dee is 16. I’m amazed she still accompanied us to the zoo. It must have been a very important part of our year. I was 13 and still not at all cool. That expression on my face is one I recognize from other photos through the years, unfortunately. I would say the sun is in my eyes but it doesn’t seem to be bothering anybody else. And why am I wearing that skimpy outfit? The hats that Connie and my mother are wearing were some my mother bought for Pearl and me. White sailor hats were the rage for awhile. Unfortunately, those were the cheap version and did not look like the popular ones. I don’t think we ever wore them. If I had, maybe I wouldn’t have been squinting at the camera. Little Marilyn looks a lot more blasé in 1959. I believe she is wearing one of the little sundresses my mother made for Pearl or me when we were that age. It was yellow with lace on top.
It is probably Sunday, because my mother is still in her bathrobe. And who reads the Saturday paper so avidly? I think the bathrobe was light pink, but I’m not sure. The couch was an old one that my mother brought from Sally and Ivy’s mother when we lived on Calvert. They moved out to Southfield, near the zoo, and bought new furniture. I remember going to visit once and hearing the lions roar.
The couch was old. My mother had a slip cover made. It was blue with a blue design. I patched it once, in a fit of fix-it-up. It has been a long time since I have read a newspaper offline. I wonder what we were reading about.
The couch and more of that corner of the living room. My uncle Henry took the photos.
There was an end table with a lamp and a brass ash tray. Both my mother and Henry smoked. The table had a fake leather top and a big drawer. One of my daughters has that table now. The lamp was white with red flowers and green leaves painted on it. There were gold lines at the top and base. The old television, in a wood cabinet ,was still working. Later it died and for awhile there was a smaller TV, that worked, sitting on top of it.
The walls were beige. When we moved in, they were covered with wall paper. As soon as she could afford it, my mother had Mrs. Bruce’s brother come and paint it a clean, beige color. There is no art work above the couch in this photograph. When I graduated from high school and began studying art at Wayne State University, my mother would tack one of my drawings up on the wall. Later on she had me frame them for her, badly. I never could cut the mats right. You can’t see the rug here but it was a faded wine colored pattern. It was wall to wall and never replaced while we lived there.
My father’s desk in the San Francisco apartment. Photos of his sisters, Gladys and Barbara on the desk and one of my mother on the bookcase. This desk looks like one that I have from my mother, but it’s not. I think the apartment was furnished. Surprised the typewriter isn’t visible.
My parents, Albert B. Cleage Jr and Doris Graham, were married in Detroit on November 17, 1943. They left immediately after the ceremony for Lexington, Kentucky, where my father had accepted a call from Chandler Memorial Congregational Church. They were there only two months when he accepted an interim pastorship at the new, experimental San Francisco Church for the Fellowship of All Peoples. He served from January of 1944 through June of the same year. The captions under the photographs are taken from what my parents wrote on the back when they sent the pictures back home to their families.
The Church – on the corner. We live upstairs – rear – behind the jungle. (Rubber, Magnolia – Olive, etc.)
This is Romeo and Patrick and me – fat jaws and all. June 1944
Mountains! Taken out our front window – over the housetops across the street.
This is Post Street looking toward the Ocean. Looks like you could follow it right on up to Heaven, doesn’t it? June 1944
Looking down at the “Fillmore slum” from our front window. The lady who bakes cakes for us lives over there –
Guess who this gangster looking talent is. June 1944.
Birds eye view of my mother hanging up clothes in the backyard.
Following is an excerpt from a biography of my father, about his time in San Francisco. I wish I had the box of letters I know existed from those six months.
“Cleage does not remember his work with the famous Fellowship Church of All Peoples with any fondness. The new congregation, which had about fifty members when he was there, was a contrived, artificial affair, he says. ‘An Interracial church is a monstrosity and an impossibility,’ he said. ‘The whites who came, came as sort of missionaries. They wanted to do something meaningful, but this was not really their church. The blacks regarded it as experimental too, or were brainwashed to think that it was something superior.’ He called his white counterpart, Dr. Fisk, ‘well-meaning,’ and said Fisk thought he (Fisk) was doing a great work, but had no understanding of tension and power. He felt the Lord looked in favor on this work, and any whites that joined him were headed for glory. He hated to have problems mentioned. Problems included the property left deteriorating after the Japanese were moved out, and the boilermakers’ union ‘which set up separate auxiliary units for black so they could discontinue the units after the war.’ Cleage joined in with NAACP efforts to get at these injustices. He was told he could stay at the Fellowship of All Peoples if he wanted to, and he said ‘they were nice people, but it did not seem to me it was a significant ministry.’ About Fisk, he said, ‘He talked about the glorious fellowship washed in the blood of the Lamb; I talked about hell on the alternate Sundays. He felt upset about my preaching, but he didn’t want to raise racial tension in his heaven.'”
From Hiley Ward, Prophet of the Black Nation. (Piladelphis: Pilgrim Press, 1969), p. 55.
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You can see a newspaper clipping of my parents and a very short post about their time in San Francisco here Newspaper Clipping of My Parents. Soon after July 1, my parents moved to Los Angeles, where my father studied film making for a year before he was called to pastor St. John’s Congregational Church in Springfield, Massachusetts.
This is the 22nd post in the February Photo Collage Festival and a Sepia Saturday offering. Today I am sharing a mystery photograph from my Graham collection. This week’s prompt is “unknown people”.
I don’t know who they are. I assume they are friends of my grandparents from Montgomery, Alabama who spent the day beating carpets and then posed for this photo. The older woman doesn’t look very happy about any of it. I would date them in the early 1900s.
“We were beating carpets in the backyard and don’t we look like it.”
Verso of the photo above.
This seems to be the same family on a different day.
Unfortunately, I don’t have the rest of the article, but I know that Marcus Garvey organized the first Black Star Line. You can read more about it here – The Black Star Line.
